Archives For November 30, 1999

In depth lessons, units, themes or research skills and projects to create critical problem solvers. Posted on Tuesdays

a middle grade dystopian novel where science meets social studies meets terrifying what ifs

If a book stuffed to the seams with big ideas, makes your soul leap, then Eye of the Storm is the book for you.

I can’t think of a better page-turner to help future decision makers grapple with ethical problems than Kate Messner’s novel.

In the near future when massive tornadoes are a daily event and meteorological engineering is possible, Jaden Meggs spends her summer in a community-wide storm shelter created by her father. She also learns that her father is steering storms away from her exclusive neighborhood and toward the organic farms, the competitors of his bio-engineered food company. Jaden has to decide what her obligations are and to whom.

Kate Messner takes the modern day issue of global warming, creates a worst case scenario of daily tornadoes and leaves the reader wrestling with deep questions.

Who has the right to decide how to solve weather problems? The government? The scientists? The individual? Communities with access to power? Everyone?

Who has access to safety? Who doesn’t? Why? Why does it matter who has access? Are there similar situations today? In history? What other issues of access does society have?

What kind of foods do people want to eat? Does everyone have choice to eat the food they want to eat? Should they? How does that impact other people in the community?

These questions are some of what future leaders have to face. So why not use Eye of the Storm as a springboard for discussion. Some of you may dismiss this book because it doesn’t neatly fit into a multiple choice test curricula. But would you rather have a president who’s adept at filling out a standardized test or a president who uses his or her critical thinking skills and ethical compassion to solve problems?

I have so fallen in love with this book that I have convinced my seventh grade Science, Humanities and English teachers to work with me to create a research project. As we design this curriculum, we are looking at the STEM standards and environmental issues. We are focusing on, how individuals can take a stand within the context of society or a government and what skills they need to create change. We are also studying the dystopian genre and examining what the format can teach us about the world and about crafting a story.

All of our work has been inspired by Kate’ Messenr’s skillful dystopian novel. Thank you Kate Messner.

After expanding their cross cultural knowledge base, my students were almost ready to face the paparazzi. (See this post for how they got there)

In other words, they were nearly ready to play the “Get to know a Hispanic Hero/Heroine bingo game” that I created for them. But first they needed to do a little more work to be an expert.

  • They re-read their mini-biographies and reviewed why their person was famous. They had already highlighted keywords in the paragraph to determine that as the main idea of the paragraph. ( In case you forgot, I found their age appropriate biographies at Scholastic’s site for Discovery History Makers.)
  • They then identified at least one fact about their Hispanic Hero/Heroine that they thought their classmates should know. I had already told them they were going to be “interviewed” by the paparazzi (their classmates).
  • Students then received “Get to know a Hispanic Hero/Heroine bingo game”. Click here for a downloadable version.

hispanicherobingo

  • Once they had found a teacher, or astronaut, etc., they asked the student the name of the Hispanic Hero/heroine that he or she was portraying and recorded it in the appropriate square.
  • They then interviewed the Hispanic Hero/Heroine and recorded the “interview”.
  • The goal was to get a bingo and be able to boast about how much they knew about as many Hispanic Heroes/Heroines as possible.

This week, students will take their paparazzi questions and turn them into “WHO WAS/IS clues” to scatter around the school. Each clue will say ask a third grader for the answer.

This way each child can take pride in the beginnings of their journey as they expand their cross-cultural knowledge and understanding of Hispanic Heroes/Heroines.

Obviously, this unit on learning about Latinos/as can be adapted to any group of individuals. I particularly like thinking about windows and mirrors and groups that aren’t often addressed in the mainstream curriculum. So feel free to adapt this idea for differently abled people, or Cambodian contributors, or whatever under-represented group that you feel passionate to share with the world.

Let me know how it goes.

To help students broaden their cross-cultural knowledge base, I created a Hispanic Hero/Heroine game. I used it with a third grade library class but feel free to adapt it for different ages or for family use.

The unit had a number of objectives. Some were just to review. Some involved practice or mastery of common-core or information-literacy skills. And, of course, exposure to windows and mirrors content.

I wanted students to:

  • Understand a biography is a true account about a person’s life.
  • Read for the main idea
  • Identify keywords in the text
  • Use keywords to extrapolate the main idea
  • Learn how to turn facts into questions
  • Explore interviewing skills
  • Gain information about a particular person in a particular cultural experience.

Here’s an overview of the second lesson in the unit. ( See the first lesson in this post – list all people you know personally or otherwise who are of Hispanic descent).

  1. I gave each student their own mini biography  (a paragraph long) that I printed from Scholastic’s site for Discovery History Makers.
  2. I removed the name, and the job description for each person and created a fill in the blank. My name is…. I am a famous…. or I am famous for being a……. To download my template click here.
  3. Students read the biography and identified the person about whom they were reading.
  4. Students then highlighted keywords that were repeated over and over or had variations mentioned in the text.
  5. The looked at the keywords and determined the main idea or why this person was famous.

Roberto Clemente: the first Puerto Rican to be voted Most Valuable Player in baseball

For example if a student read about Roberto Clemente, he or she may have underlined Major League Baseball, great fielder, great hitter, Most Valuable Player, Baseball Hall of Fame. Then he or she would have said Roberto Clemente is a famous baseball player.

The mini biographies ranged in complexity so I gave the more abstract professions to those who were ready for the challenge and thus allowed for success for a range of students.

Stay tuned for how kids prepared themselves to face the questions the classmate paparazzi prepared for each other.

Today I asked my third graders if they could name anyone of Hispanic descent. They could list a someone they knew personally, a person from history, or a figure from pop culture.

Their lists weren’t long. In fact. Most were blank.

I wasn’t surprised given the community in which I teach. There aren’t a lot of opportunities for first hand encounters. And so my work begins. Unless I or other adults explicitly have conversations about the rich Hispanic heritage, history, and accomplishment, their lists will remain short.

It was time to lead the children to find stories. My third graders are fairly good at knowing how to solve information problems. So they eagerly rose to the challenge of using the library catalog to find biographies.

I recommend keywords – in this case, search terms like Latino/Latina, Hispanic, Puerto Rican, Costa Rican, Dominican, Mexican-American, Chilean, etc. I remind students of the definitions of Hispanic and Latino/Latina. I also provide them with a few examples. This helps the class brainstorm more names to use in their searches.

One of the biographies that provided my readers with a window

The children know how to identify the call number of a book in their computer search. Then they use that to locate the book on the shelf. So they fly to the next step. Reading the book which offers them a window into new experiences, and a peek into an unfamiliar culture. I remind them that this is just one person’s particular story of being Hispanic and that like any group of people there are similarities and differences within that group as well as in comparison to another group.

Next week they will craft jeopardy type questions to post around the school to educate others within our community one story at a time.

Here are 10 books to use as spring boards for discussions about skin color. They range from picture books to young adult titles. Hope they help.

PICTURE BOOKS

1.

The Skin You Live In_LargeThe Skin You Live In    By Michael Tyler, David Lee Csicsko, (Illustrator) Chicago Children Museum, 2005

This picture book uses rhyme to celebrate the range of skin color and the fact that children are simultaneously unique and similar.

2.

skinagainSkin Again   By bell hooks, Chris Raschka (Illustrator) Jump at the Sun, 2004

Another good title to discuss differences in skin color but honor that what’s inside is what counts.

3.

shadesofpeopleShades of people   By Shelley Rotner, Sheila M.Kelly Holiday House, 2010

Echoing the above titles in theme, this title uses photographs to show that skin is a covering that comes in all different shades, even within a family. Yet we have more in common when we move past these external differences.

 

4.

daisyDaisy and the Doll   By Michael Medearis, Angela Shelf Medearis, Larry Johnson (Illustrator) University Press of New England, 2005

While this story is 100 year old Daisy Turner’s memory that she recounted about her experience growing up in Grafton Vermont in the 1890’s, the emotions and issues of what it feels like to be different and face racial prejudice are no different today. Click here to find fascinating information about Daisy’s experience on the Vermont Folklore Center’s website.

NON-FICTION

5.

all the colorsAll the Colors we are: the story of how we get our skin color   By Katie Kissinger, Wernher Krutein (Photographer) Redleaf Press, 2002

A useful resource to teach children the environmental and hereditary aspects of melanin, or skin color.

6.

skininracismThe Skin I’m In  By Pat Thomas, Lesley Harker (Illustrator) Barron’s Educational Series, 2003

This nonfiction title provides young children with examples of racist acts while encouraging children to embrace differences.

7.

racism-pete-sanders-hardcover-cover-artRacism (Let’s Talk About) By Bruce Sanders Creative Co, 2005

As the title indicates, the book explains how skin color can be cause for unfair treatment. It also suggests that we can combat racism if we work together.

YOUNG ADULT / ADULT

8.

skinaminflakeThe Skin I’m In   By Sharon Flake Hyperion Books, 2007

This awarding YA title is great for older audiences. The thirteen-year-old heroine, Maleeka, doesn’t like being dark skinned because everyone at school makes it a problem. Befriending a bully doesn’t help. She has to learn to love herself and the skin she’s in.  Click here to see what one school has done with this profound text.

9.

face relationsFace Relations: 11 Stories about seeing beyond Color Marilyn Singer (Editor) Simon & Schuster Books for Young Readers, 2004

This YA collection explores issues of diversity, racism and ways to move beyond with well known authors such as M.E Kerr and Joseph Bruchac.

10.

blacklikemeBlack Like Me   By John Howard Griffin Wings Press, 2011

Though it is 50 years old, this adult or young adult title is not to be missed. It explores the issue of racial injustice after a white writer darkens his skin and spends time in the American South. Click here for Smithsonian’s view of how the book has stood the test of time.

color_of_us

Talking about skin color is both never easy and entirely simple. Especially if you keep three things in mind.

  1. Any conversation is better than no conversation, so don’t worry about getting it perfect.
  2. One conversation is just that. One conversation, a beginning. It doesn’t have to do everything.
  3. Practice makes better. The more conversations you have the more natural it feels.

The Color of Us by Karen Katz ,the wonderful author/illustrator of books like Can you Say Peace and My First Ramadan is a great entryway into the conversation.

Over the years, I had read this book a number of times to my library classes before I felt comfortable enough to actually do more than a read-aloud. And I use the word comfortable loosely. I was nervous that I wouldn’t do it right, that I’d get questions I couldn’t answer, that I wasn’t an art teacher, and who was I to have these conversations.

But as soon as I read this story, asked everyone to put a hand in a circle, and started talking about the shades of color we saw, my kindergartPeople's mandala - 12 handsners were eager for more. Everyone was clamoring at once. Lena,  the seven year old in the story was cinnamon brown. What color were they?

Be forewarned, you should have lots of food and spice colors to use for all the various shades of your community. The first time I did this I didn’t have enough variations of white – peach, apricot, milk white, eggshell white only covered some of the ranges in our class. But everyone left proud of their new-found vocabulary as they headed off to art class where they mixed paint to match their skin.

For further activities and discussions for this book check out Karen Katz’s suggestions.and this link too.

Happy skin coloring with your child or class!

I was raised not to notice skin color, it was polite and kind to be color blind to not acknowledge difference. That race doesn’t matter; all people are humans;

And if indeed you are taught that racism is learned, you’d think it would make sense don’t talk about race or skin color, then children’ won’t learn to be racist. If adults don’t point out the racial differences, kids won’t see them. But in fact the opposite is true.

If you don’t have explicit conversations with children about race, they will be drawing their own conclusions without adult guidance. Children, like all humans, categorize all day long. When they are young, they can only categorize using one attribute at a time. They use the most salient one, which is often color.

And when white parents use phrases like “we are all the same” that code is confusing for children. It ignores the physical differences a child sees without actually explaining that we aspire to have everyone treated equally.

White parents often wait until third grade to talk about race. But it is too late. Research shows it must happen earlier to be effective. If you don’t have practice, these conversations can seem hard, awkward, uncomfortable. But if you don’t try, children also lack the practice and vocabulary. And suddenly when they don’t know how to acknowledge differences a child may say something like “he looks like us,” setting up an “us versus them” paradigm.

Does your child have the vocabulary to talk about skin color and race? What conclusions would you want your child to draw? Do you know what they are really concluding? Ask them. Talk with them. Find out and feel free to share your findings.

nutrure

You can learn more about the need to stop color blindness in Pro Bronson’s  & Ashley Merryman’s Nurture Shock, Chapter 3 ” Why White Parents Don’t talk about Race.”

Here’s another great article written by Rodolfo Mendoza-Denton “Should we talk to young children about race?

Stay tuned for ways I discuss race and skin color with kindergartners.

ImagePhoto from http://plusmood.com/wp-content/uploads/2009/03/museum-of-tolerance-renovation-07.jpg

If you’re in Los Angeles, don’t leave without visiting the Museum of Tolerance. The 1993 museum was designed to examine racism and prejudice. My exploration was too brief, but it got me thinking.

What would I include in my museum of tolerance? What would you?

What stories /histories of injustice, hate, intolerance, civil right abuses, human right abuses would you highlight? Why? What would you say?

What legacies should children not forget? Are there stories not told in your region that should be included? For example have you heard of the 1946 Ca civil rights segregation case Mendez vs Westminister ?  I hadn’t.

How would you bring these stories to life? What medium? How would you engage the visitor?

How would you spark dialogue or broaden horizons to be inclusive of many multiple perspectives? 

Below are some exhibits that the educational arm of the Human Rights Simon Wiesenthal center includes. Use them to get you thinking.

Glossaries : What words are important to share? How would you define them? Does everyone agree with that definition?

Timelines:  What would you include? How far back? How detailed? Would you want to highlight big themes? Or focus on one topic and go into great detail?

Multimedia exhibit about a time of injustice:  One exhibit is the Holocaust. What would yours be?

Tolerance center: How would you encourage genuine celebration of differences?

Point of view diner: What controversial topics would you include to help viewers tackle their personal responsibility for an issue?

Globalhate.com: What sites do you think promote fear, hate, injustice, prejudice?

Making your mark: How would you encourage others to make their mark?

Finding our families ourselves: What stories do we need to preserve? Why? What do families have in common in the U.S?

Special exhibits: I saw Para Todos Los Niños – how Mexican families fought for equal education in Ca. Other special exhibits included toys from trash, Black is a Color, and Albanian Muslims saving Jews during the Holocaust. What special exhibits would you create?

I’d love to hear plans for your museum of tolerance. And maybe before we know it, they will pop up everywhere and we can all learn from each other’s stories of the pain that we want to avoid recreating in the future.

I ‘m excited to hear your brainstorms.

A sure way to teach the value of diverse perspectives is with windows and mirrors and by following these steps. (for more on windows and mirrors check out this post).DSC_0980

1)     Provide Mirrors

Give children books, stories, movies, art work, music, and other expressions of culture that reflect their experience. For example if the child is adopted, provide plenty of stories about adoption.

2)     Collect Windows

What stDSC_0969ories offer you a different cultural, racial, ethnic or religious background? Gather those titles and share them. See how many you can find. Make sure you have more windows than mirrors . If you are Irish Catholic, read fairy tales from China, India. Then read some Jewish and Arabic folktales.

3)     Find the gaps

Study your stories. Do you gravitate to certain perspectives? What viewpoints are missing? Do they focus on a one particular family life style? Are the heroes of your books always white? How might your broaden your understanding?

4)     Seek new vistas

You have your individual take on the world. It’s shaped by family, gender, sexual orientation, ethnicity,  race, age, ability, culture, and class. Look for stories out of your comfort zone for each one of these cultural identifiers.

5)     Explicitly teach them

Children as young as kindergartners can be taught to see how things are similar and different from their own experience. Use actual images of windows and mirrors to introduce this concept. Model your own thinking and give lots of examples.

6)     Identify the windows and mirrors

Read a story or study a picture with your child. Share all your mirrors and windows. Encourage children to agree, add or disagree from your observations. For example you might read Grace Lin’s fabulous Red Thread: An Adoption Fairytale.(Stay tuned for an in- depth post). You might say the window for you is that this family came into being through adoption if yours did not. And the mirror you identify could be that all families share love in common.

7)     Connect windows to mirrors

Your mirror in the above example might be that your family also came into being through adoption. And the window could be your family structure has two Dads while the story has a mother and father. You could connect the mirror and window by saying that in both the story and your experience two loving adults raise and care for one child.

8)     Spot your blinders

If you don’t check for windows and mirrors, it is easy to  miss a narrow outlook.  Do you gravitate to stories that reflect your own cultural indicators? Or do you seek out a range of ethnic stories but never read stories about varied abilities? What windows are missing?  Study identity indicators. Which do you never think about? Find those stories.

9)     Ask for help

Get suggestions from teachers, librarians, parents  or by contacting me for books that can round out your world view. Reach out and ask a variety of people to share their stories with you. Always do this with the mindset of appreciative inquiry and respectfully understand it’s just one story not everyone’s story.  Return the favor. Sharing stories is our connecting glue.

10) Do it again

Wherever you go, whatever you do, ask yourself, is this a window or a mirror?  Do I have more mirrors at my workplace? More windows? How about for my colleagues? What can these observations teach me? What stories are missing?  Why? No matter what, enjoy the lifelong journey – One story at a time!